For filmmakers
who fix it in pre.

A dedicated pre-production pipeline, shaped to fit any kind of shoot.

The production board for a commercial: locations, client, cast and crew laid out on one canvas, with a prep timeline across the top.

Production Board

01 / 07

Locations, crew, cast, references, notes, the prep timeline. Nothing on it is a dead end: a safety note lands on the call sheet, a look sets the storyboard's frame.

feeds everything below

Two things a spreadsheet cannot do.

It knows the kit you own.

Put your cameras, lenses, lights and grip in the Gear Closet, and the floor plan will mark what you already own so you can build a rig out of it. The fixtures carry real beam angles, throws and wattages, so the plan shows where light lands and the power panel totals what you have placed.

Open Gear Closet

It draws the room before you stand in it.

Place the camera and the fixtures on a plan of the space and see the spread. Then look through the lens in 3D and check the frame, while there is still time to move a light.

Open Blocking
On the day

Then the phone is the slate.

Flip to Production Mode. Scene and take come off the shot list you built, the takes get logged as you go, and the circled ones land in a rundown you can send to the editor that night.

a hand writing on a slate with a marker
By handPhotograph · 925 Studio
Production Mode: the digital slate with the sample project's shot list loaded
Production ModeThe same shot list

Start with the job you have this week.

Name it and put the shoot date in. The countdown starts on the project page, and the call sheet fills in from what you add.

golden sunset viewed through tall grass
Golden hour. The call sheet knows the sunset for the location.Est. wrap 7:15 PM